It’s no secret that I’m a Shakespeare devotee and this has been going around Facebook among my fellow Shakespearean practitioners so I thought I’d torture myself by trying to pick favorites even though it is kind of impossible to do so. Ask me again next week and many of these answers will change… Continue reading
I learned a lot about Shakespeare this year and did a number of shows that were either Shakespeare or Shakespeare related. I learned that, like almost everything in life, Shakespeare looks different through the lens of parenthood. Continue reading
SO… we’ve closed a few Shakespeare shows recently after some great runs. Now I’m down to one last show for the year and it is VERY loosely based on Shakespeare (mostly the names but a few lines here and there) but funny enough, I think it has more in common with another play I gushed about recently…. Continue reading
What’s Shakespearean about Hamilton… or why I’m Fangirling over this musical… Continue reading
So The Tempest opened on Friday and I am so proud of all the work the cast and crew put into this show. Continue reading
A week or two ago, one of my blog posts was shared on the Brelby blog to help their audience understand some of what I was going through as a female theatre artist working while bringing my baby to the theatre. Today, I am sharing a blog post my husband and I wrote for their blog. And because that’s the only blogging I had time for since the move… that’s what you get cross posted. here. Here’s my favorite excerpt:
There are many fantastically talented women in our local theatrical community and we don’t want to contribute to the frustrating statistics of how women are underrepresented in this business. We are trusting that the audience has enough imagination to accept that the actress playing Prospero is playing a man just as they are willing to accept that the actress playing Prospero is playing someone who has magical powers. So we aren’t changing the gender of the characters to match the gender of the actors.
This is a bit of a follow up to the post I wrote in January. And since yesterday was national Women’s Equality Day (though I’m not convinced we’ve quite achieved that yet…at least if we are talking about equal treatment…) it felt like as good a time as any to give an update of sorts. Continue reading
Mini post today because it’s that kind of month and I am BECOMING better at giving myself some grace for the things that don’t get done as perfectly as i would wish or if not as much gets marked off my to do list.
So two major Shakespeare related things are happening in my life right now (three if you count Taming auditions but that is SUPER LOOSELY shakespeare related so I’ll wait until we get into rehearsals to talk about it): Continue reading
Sorry to those of you who now hate that they have that song stuck in their head all day. But I wanted to write about how beautifully small a world it really is (one might say after all… one might have a Disney problem…) The theatrical community is inescapably interconnected. Continue reading
I was introduced to Linklater voice work in the spring of my first year of graduate school. Everyone involved in the MFA production of Pericles needed to take an intensive workshop on it during what would have been our spring break otherwise (I believe our program director suggested that spring break was for “amateurs and undergrads”). This was important because Tina Packer and Dave Demke were directing and assistant directing and both came from Shakespeare & Company where Kristin Linklater’s work is used as a common vocabulary for such techniques as dropping in. I was a little sad that giving up spring break meant giving up some of the plans I’d made with my then boyfriend, now husband (we’d been dating 6 or 7 months at that point and one of our planned outings included wine tasting, which I was very sad to miss) but I was also excited and I had no idea how worth it that experience would be. Continue reading