Baking #25: Honey Oatmeal Bread

A short post is better than no post at all:
image1Well we survived the fist week of summer camp with baby in tow… and it’s been a great experience so far but a total whirlwind so I wanted this week’s baking project to be a little sweet but mostly full of sustenance to get us through another week! I’ve had this recipe pinned for years but until I started all these baking projects I was intimidated to try it with all the waiting time for the bread to rise etc. etc. I’ve been wanting to make this recipe all week but had no time until today and it was worth the wait!

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This recipe made a HUGE loaf! and so pretty…

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He ate his piece so fast I could barely get a picture of him trying it!

Definitely a recipe we will be trying again! The bread is fluffy but hearty and full of flavor. Having it with some melted butter was heavenly!!
We’re gearing up to head into week 2 of camp and I’m up early this morning finishing this blog post since in my quest to take better care of myself, I went and worked out last night instead of writing and editing. Will definitely be having some of this bread tomorrow as a mid-day snack!

8 Parenting Lessons from my Life in the Theatre

Monday we started camp at the studio I’ve been working with for half a decade. I love teaching this camp each year but this year I know it is going to be a little trickier because I am bringing my son with me. I was a little worried at how he would do with all the commotion and wondering if we had maybe made a mistake trying to bring him with us, but so far it has been great. It has also been a lot more work, so last night and early this morning I started brainstorming for a post I mentioned I wanted to write a while back- I want to talk about just a few of the ways theatre has helped prepare me to be a parent, or even made me a better parent than I would have been: Continue reading

You Can’t Fake a Deep Breath

In an earlier blog post, I mentioned Kristin Linklater’s awesome quote on how holding your breath makes part of you absent. I think that observation is one of the intimidating things about activities that make you take deep breaths and truly be present- acting, yoga, birth, prayer, rest (not just sleeping but sabbath day take a break or a vacation conscious rest…). All of these activities make me recognize my own humanity, my frailty, my imperfections. Continue reading

How Linklater & Breathing Saved my Marriage

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Playing Hesperides in the production mentioned in this post… see where she comes, appareled like the spring…

I was introduced to Linklater voice work in the spring of my first year of graduate school. Everyone involved in the MFA production of Pericles needed to take an intensive workshop on it during what would have been our spring break otherwise (I believe our program director suggested that spring break was for “amateurs and undergrads”). This was important because Tina Packer and Dave Demke were directing and assistant directing and both came from Shakespeare & Company where Kristin Linklater’s work is used as a common vocabulary for such techniques as dropping in. I was a little sad that giving up spring break meant giving up some of the plans I’d made with my then boyfriend, now husband (we’d been dating 6 or 7 months at that point and one of our planned outings included wine tasting, which I was very sad to miss) but I was also excited and I had no idea how worth it that experience would be. Continue reading

Anatomy of a Hug and Breathing through the Crazy

A quick update on a few blog posts from earlier this year. Those of you who read my post about being a female theatre artist- I am pleased to invite you posterAofaH_4x6-2to come see The Bridge Initiative’s capstone project of their symposium: Anatomy of a Hug. It runs June 19-21 and we will have the playwright in town from NYC the first two days of the run and a talkback with her the evening of the 20th. It has been a privilege and a new adventure for me to work on this production. As you may have guessed from the “bardolatry” B in this year’s resolutions… I mostly deal with Shakespeare or other classical authors, or even once in a while an “American Classic” which is what I would consider How I Learned to Drive. I have learned a lot tackling a new piece and I feel lucky to do it with such a hard working cast and creative team. Continue reading